This virtual reality experience invites a consideration of the historiography and implications of female-personified technological infrastructures, both voiced and voiceless. In exploring gender in technology from nautical tradition to smartphone-embedded virtual assistants, my artistic collaborator Caroline Colquhoun and I investigated the ways in which the feminine is often seen and not heard or, conversely, heard and not seen. By challenging the often overlooked gender bias programmed into our technologies, Feminanimate Objects asks that viewers reprogram themselves.